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An Inconvenient Halloween Short Story

This story was originally inspired by Walter Russel Mead’s article on Bill McKibben’s collection of science fiction short stories aimed at scaring the public (er, ‘shaping an emotional response’) over global warming. I was too busy to finish it when it was actually topical, unfortunately, so I am publishing it instead as a scary story suitable for Halloween. 

NOVEMBER 7, 2500:

Seasons formed the rhythm of his work.

The passing seasons themselves formed years, but years were less important in marking the progress he had made. Seasons mattered more to nature, his focus and his purpose, yet sometimes the years intruded into his thoughts. Today, the calendar at the edge of his conscious mind told him it was the five hundredth anniversary of the most significant date in his life. A date more important even than his Uploading, a date which – unappreciated at the time – would change the face of the world itself. The sense memory of a smile colored his electronic thoughts. The seasons can take care of themselves for a few minutes.

Deep under what had once been called Cheyenne Mountain, the disembodied consciousness of Al Gore extended its senses across the world, and saw that it was good.

He had been studying rainforest canopy health in the Amazon basin when the significance of the date penetrated his awareness. The broad-spectrum image from the observation satellite was informative in ways his previous form could never have processed let alone comprehended at a glance, but nostalgia for his flesh-and-blood days moved him to limit his sensors to the human-visible range.  A mottled sea of lush blue-green foliage filled his vision, and a swell of pride surged through his quantum synapses as ancient memories were awakened — had he still possessed lungs, the beauty would have taken his breath away.  Herculean efforts had gone into conserving what little had remained of these rainforests at the midpoint of the 21st Century and protecting the rainforest’s endangered plants and animals from extinction. Genetic advances in mid-century had allowed the resurrection of many species which had in fact gone extinct in the face of human encroachment and exploitation. High in geosynchronous orbit, his remote eyes zoomed in to a break in the canopy where the Madeira river met the Amazon, and he was rewarded with the sight of Boto dolphins leaping playfully from the swift waters.

Success with the Amazon project had led to further recovery efforts. A polar-orbiting satellite constellation fed him real-time imagery of polar bears frolicking on arctic sea ice – ice which had all but disappeared by the time he was Uploaded to coordinate restoration efforts across the rest of the globe. This view was always his favorite, on those rare occasions when he could take time away from saving the world to actually admire it. Drastic reductions in atmospheric carbon dioxide had been followed by a recovery of annual sea ice, and careful management of the new atmospheric composition kept the icepack within the targeted area and thickness limits.

He cycled his attention across his worldwide network of ground sensors and orbital observatories, taking stock of the fruits of his centuries-long labors. Bold light-blue swirls along the coast of Australia and throughout Micronesia attested to the renewed health of coral reefs, and by extension the oceans around them.  Throughout the western Pacific, the green caps and sandy outlines of low-lying islands poked up from the sapphire-blue sea, no longer threatened by sea-level rise. Looking down at Fiji, he felt a nostalgic longing – how nice it would feel to once again enjoy those broad, sandy beaches, to feel the wind in his hair and the sun on his face and the sand beneath his feet. That was no longer possible, hadn’t been for over four and a half centuries, and never would be again. But it was okay, he thought – some sacrifices had to be made to save the planet, and his physical body was the least of the sacrifices that had been required of him.

His work was by no means done, but he saw no harm in a moment’s pride in what he had so far accomplished. All of this, he mused, was based on the foundation of what had saved the polar bears: nearly 500 years of reductions and strict management of atmospheric CO2 levels. With the eradication of carbon-based industries and the changeover to wind and solar, it was possible to bring the Earth back into balance, and keep it within the limits established so long ago by climatologists’ reconstruction of what the environment was like before human industrialization. Those limits had been enshrined in UN conventions and served as the guideposts for his work to this day. Work which might never have come about but for circumstances which had seemed so unfair and unjust at the time. None of the progress he had made in healing the globe would have been accomplished, but for that strange twist of fate in 2000.

Had I won, he thought, the world would surely have lost.

An indicator interrupted his reverie. His power reserves were running low again, something he was prone to more often this time of year – solar generation was already down because of the shortening days, but it had been especially low for several days due to a cloud system parked stubbornly over the region. Once again, he wondered if it had been such a smart idea to dismantle the last of the wind turbines on the nearby plains, but he only had to remind himself of the millions of birds whose lives that action had spared over the past seven decades to confirm the greater wisdom of that decision. He sighed and prepared his systems to hibernate for the evening, so as to conserve what energy remained in his battery networks and flywheel clusters.

His higher cognitive functions began their scheduled shutdown, a strange simulation of drifting off to sleep. As he reflected a few more milliseconds on the triumphs of the past millennium, a profound loneliness crept into his fading awareness, one that always came at those moments when he wished he had someone with whom he could celebrate. He was always certain of the greater wisdom of this decision, too, but it was a loneliness he never anticipated when he concluded saving the world meant exterminating all of humanity.

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What I Did On My (Last) Summer Vacation

After about eleven months of problems with my DSL connection at home, I’ve finally finished uploading the HD video I shot while in Iceland at this time last year. The playlist is here, but this is probably the most relevant video for MarsBlog in the sense that aside from the prominence of water, it best captures the Martian-like feel of the place:

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Random Zombie Thought

I think the reason you don’t see zombie birds is that, while the zombie virus might be able to reanimate the dead in ways that blissfully mock the laws of thermodynamics, it’s too much to then expect the avian undead to also violate aerodynamic principles by flying about in an equivalent slow and halting manner as they search for brains to peck out.

It’s one thing to suspend disbelief regarding corpses rising from the grave and shuffling about in quest of cannibalistic munchies, but dead birds with the ability to sluggishly levitate would be something of a stretch. Especially if they were missing part or all of a wing or their tail due to decomposition.

On the other hand, it would be farcically amusing to see.

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Hands-On Engineering

It seems the more little engineering projects I do to support my photography habit, the more I find I want to do.

Last year, it was the double-header, and the time-lapse rig for the Iceland roadtrip. But after looking at some of this guy’s work and the toys he created to do it, I got hooked on the idea of a motion-control dolly.  I figured, I’m a mechanical engineer, right? How hard can it be?

Well, following his example seems to be a lot more difficult in the U.S. than in Germany. Finding the exact motors he used and an equivalent Igus slide were trivially easy, but finding gears and a gear rack to match have been frustratingly difficult — so much so that I’m giving in and ordering them from the same company he used, and hoping that the shipping and whatever import duties this entails balance out against the higher prices and half-assed selection offered by McMaster-Carr and other similar retail gear suppliers here.

The Igus slide arrived yesterday, and I was disappointed to discover that my mental impression of a meter corresponds more closely with four feet than three. But other than that, it’s a slick and simple piece of engineering:
Slide

The most fun part of all of this, however, came from digging into the motion control aspects. Ben’s setup used a simple voltage regulator to control the speed, but I quickly discovered there are better ways — specifically, using Arduino microcontroller components. It would appear that if you have anything that moves or needs to be monitored (or both), there are Arduino boards which can be adapted for the purpose — right up to navigating autopilots for DIY drones. And it’s all dirt-cheap.

I think this is going to be a fun little project, with lots of learning transferable to related follow-on projects (why stop at one axis of motion?).

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Dirk Gently on BBC

Looks…interesting. Hope it turns out better than Hitchhiker’s Guide to the Galaxy did.

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Atlas Shrugged Trailer

This would make a great drinking game at your next Objectivist book club meeting: spot the deviations from the book!

I guess one has to expect many differences from the source material, given that the producers don’t have a Lord of the Rings-scale budget with which to depict the “period” setting of the book — regrettably, since the “yesterday’s world of tomorrow” flavor of the book would have made for some noir/Deco/raygun gothic eye candy. The question is how well they’ve handled these differences and how consistent the differences are with the overall themes of the book — do the movies still tell the same fundamental story?

I am concerned a bit with the acting, though. It could be that the scenes shown just don’t match the urgent mood of the music used in the trailer, but the actors (particularly the one playing Dagny Taggart) seem a little too subdued for the lines they are speaking given the scenes in the book from which those lines are taken.

As for props, the one glimpse of the Rearden Metal bridge is intriguing (that has to be the single hardest object from the book to visualize, based on Rand’s description). On the other hand, the “device” from Starnesville looked pretty close to what I expected except for size — in the book, Dagny and Hank have to struggle to free it from the junk pile, and it is later shown wrapped in a tarp in Hank’s trunk. I guess I was expecting something about the size of a car’s engine block, but perhaps something the size of a coffee pot is actually more reasonable given that the device is an early engineering prototype.

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Nook vs. Kindle

I bought a Kindle back in September as a means of test-driving the e-book version of In the Shadow of Ares, mainly because I hadn’t thought much beyond Amazon when we decided to go the electronic route. I was aware that Barnes & Noble and Borders each had their own e-readers, but Kindle seemed to be the one with the broadest reach and biggest potential market.

We ended up publishing on Barnes & Noble as well as Amazon, but even so, I hadn’t even looked at a Kindle up-close until yesterday. Turns out the Nook Color is a much more impressive platform overall than the 3G Kindle:

  • The touchscreen is much easier to navigate with (especially when highlighting text or selecting a word to look up in the dictionary) than the Kindle’s “mouse box” buttons;
  • Nook, like Kindle, has built-in audio capability for playing MP3s while you read, but the player on Nook is actually a proper function of the device, and not a grafted-on “experimental” feature like it is with the Kindle — a feature which, in four months, I have never gotten to work;
  • Nook also has a built-in photo gallery function, which the Kindle (perhaps understandably in a grayscale device) lacks.

In short, the Nook is a little more like a tablet device than a no-frills e-reader.

On the other hand:

  • Despite only being a tiny bit larger, the Nook was noticeably heavier (perhaps 25-30% heavier) than the Kindle, with the Kindle already at the upper limit of a comfortably-holdable combination of mass and shape;
  • Being a backlit color display akin to those on laptops, the Nook was actually a little harder on the eyes than the Kindle with its “e-ink” display that reads more like the page of a printed book;
  • Though I’m not a big fan of Kindle’s keypad, it’s still far and away preferable to tapping virtual keys on a touch screen.

You might expect that differences like this would drive Amazon to bring a color version of the Kindle, with color e-ink, to market in the near future. Mmm…maybe not:

[Bezos] noted that developing color electronic ink remains a challenge, and while he’s seen things “in the laboratory,” the prototypes are simply “not ready for prime-time production.” He also stated that these lust-worthy, mythical displays were “a long way out,” but that the Kindle would remain focused as a dedicated e-reader moving forward.

And yet, as the links at the Engadget post illustrate, there are in fact color e-ink options out there which may be further along that Bezos suggests.

With the introduction of the iPad last year, though, there may be market pressure to rapidly evolve e-readers beyond simple, dedicated e-book devices by including features like the photo galleries and MP3 player functions the Nook already offers and better, full-featured web browsers to take additional advantage of the built-in wireless internet capabilities (wi-fi and 3G). At some point, then, there may be no real distinction between e-readers and tablet computers besides the owner’s primary habit of use.

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“Tron: Legacy”

Some brief thoughts on the Tron sequel/reboot, which I watched last night:

  • Having not been to a movie in a theater in over two years, I was surprised at how obnoxious the pre-movie advertising has become. Gone are the still slideshows with instrumental music, which one could at least chat over, having been replaced with an uninterrupted stream of video ads with blaring music, voiceovers, and strobing imagery which render socializing with friends nearly impossible.
  • The plot of the movie was somewhat thin, but plenty enough to tie together the luscious CGI effects, which were truly impressive throughout the movie (with one exception).
  • In hindsight, I’m not sure that I’ve ever seen the entire original Tron movie. I recommend watching it before seeing this one, as there seemed to be a few references to the earlier film that they expected the audience to understand without added explanation. Overall one is expected to be familiar with the basics of Tron, but aside from that nothing I’m referring to was a major problem — rather, a viewing of the original would simply enhance the experience of the new film at the detail level.
  • The CGI “exception” involved the younger versions of Jeff Bridges. The animation in most places is almost but not quite perfect. With the character Clu, one could forgive the animators a little imperfection (seeing as how the character itself is a digital construct). The scene in the beginning where the real-world Kevin Flynn is talking with the young Sam, however, contains several fleeting instances where the “uncanny valley” effect comes into play. Throughout the film, the tell is always in the movement’s of the mouth, whose movements aren’t quite accurate in some undefinable way. And knowing how the Clu character was played becomes a significant distraction during certain scenes, when he is repeatedly depicted from direct or 3/4 rear views so as to avoid the need to rotoscope the actor’s face.
  • I don’t know if I’ll ever be able to disassociate the person of Julian Assange from the character Zeus.
  • There were a couple of places where I think they could have improved the background story with a few extra lines of dialogue. In particular, the story of the “miracle” that led to Flynn being trapped in the Grid…had they tied it to, say, the exponential growth in information becoming interconnected through the ur-internet of the late 1980s, as a nod to the SF convention of a threshold of information and computing power triggering the spontaneous formation of an artificial intelligence, it would have been quite the slick bit of storytelling.
  • The gratuitous inclusion of a bit of global warming propaganda was disappointing, as were the other boilerplate expressions of anti-modern pessimism in the same exchange.  But the exchange was also thankfully brief and (being wholly gratuitous) had no discernible effect on the rest of the story. It appears to me in hindsight to have simply been a recitation of talking points tossed in at an opportune moment in the film to scratch an irresistible Hollywood itch.
  • Overall it’s worth seeing for the entertainment value. The story isn’t all that deep, and some of the characters and performances are pretty standard-issue. But the effects are quite impressive, and should be seen on the big screen to be fully appreciated. While many people said the same thing about Avatar, at least in the case of Tron:Legacy you aren’t force-fed a deplorable ideology and agenda along with the eye-candy.
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On the Radio

I’ll be on 850KNUS here in Denver on Sunday, talking about In the Shadow of Ares with my PPC co-blogger Ross “Rossputin” Kaminsky.

The show is on from 5 PM to 8 PM on 710 AM KNUS in Denver and 1460 AM KZNT in Colorado Springs. I will be on between 7:00 and 7:30PM. For those outside the Denver area, you can listen to the show online by clicking HERE.

Science fiction fans might want to tune in a little earlier, as one of Ross’ other guests this weekend is SF author and Tea Party figure Andrew Ian Dodge.

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“In the Shadow of Ares” – Now Available!

“In the Shadow of Ares” (formerly known around here as “Labyrinth of Night”) is now available for download at Amazon.com:

In 2029, the third exploration mission to Mars vanishes without a trace. Two decades later, the success of human settlement of Mars and the life of a young girl hinge on the secret of what happened to the Ares III mission.


Twenty years later, Mars is a growing outpost of humanity, and 14-year-old settler Amber Jacobsen is a minor interplanetary celebrity – ‘the First Kid on Mars’.  Pioneering Mars is hard, unglamorous work, though, and Amber secretly wishes she were just an ordinary girl living on Earth.

When her family’s homestead is destroyed in an apparent accident, the Jacobsens relocate to an independent settlement located on the northern fringes of Noctis Labyrinthus, a vast and largely unexplored canyonland.  Their new home promises new opportunities, and Amber looks forward to being just another member of the community. Instead, the other settlers dismiss her as a burdensome child and refuse to accept her as the responsible young adult she has become.

In order to prove the value of her unique knowledge and perspective, Amber vows to uncover the fate of the Ares III mission, whose loss had largely been forgotten in the rush of the Martian settlement boom.  But this seemingly harmless challenge thrusts her into a deadly conflict: those who know the truth will kill to keep it hidden, while those who destroyed her family’s homestead would use the secret to secure their dominance over all of Mars.

In solving the mystery, Amber could destroy everything the Martian settlers have worked to create.

It’s priced at an affordable $6.99, and would make a wonderful Christmas present for the science fiction reader or young adult on your shopping list. Especially if you’re buying them a Kindle or they already own one (remember, you can also download the free Kindle app for various electronic platforms if you/they don’t have a Kindle reader).

While I’m going to be occupied for much of the weekend with writing a business plan and attending Christmas parties, I do expect to get the blog at AresProject.com up and running again in the next few days. We will use that forum to discuss the book, the backstory, etc.

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Buy Our Book!

Buy Kindle version
Buy Nook version

A young girl sets out to prove herself by resolving a long-forgotten mystery. But when she gets close to the truth, what she thought was a harmless adventure becomes a threat to the future of the independent commercial settlements on Mars.

 

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