News and Commentary on Space
Despite all the hype about it being the Best Movie Ever Made! and The Ultimate Entertainment Experience! and whatnot, it looks like Avatar lost the Best Picture Oscar to Hurt Locker, a movie I hadn’t even heard of until about two weeks ago.
Heh. I think I just schadenfreuded.
Looks like the Disney-Pixar live-action/animation version of Edgar Rice Burroughs’ A Princess of Mars will be filmed in and around Moab, Utah, instead of Colorado.
Increasing taxes and a hostile attitude towards business from our Democrat overlords would seem to have consequences…
“Film production now is driven by incentives, and right now, Colorado is toward the bottom of that list,” said Kevin Shand, executive director of the Colorado Film Commission, explaining why Colorado lost out on the production.
“It’s the only reason films are coming to Utah,” confirmed Marshall Moore, director of Utah’s film commission.
Along with iconic desert landscapes, Utah offers a menu of tax and rebate incentives for film producers that includes a 20 percent post-production rebate or tax credit and tax rebates and exemptions on everything from film equipment to lodging. That incentive was bumped up from 15 percent last year.
Colorado has some smaller, more complicated, incentives that include up to a 10 percent rebate for out-of- state production companies that spend at least $1 million in Colorado, including at least 75 percent of payroll and 75 percent of nonpayroll expenses.
Looks like Colorado will have to make do with the Mars Science Lab and the Mars Society as its connections to the Red Planet.
John Scalzi takes on the bad science/design of the Star Trek franchise.
I actually used to like ST:TNG when it was first broadcast. Nowadays, I find any manifestation of the franchise insufferable. Bad acting, lazy writing, trite speechifying, cross-episode amnesia re:new discoveries/innovations, Patrick Stewart, etc.
That said, I caught a bit of Star Wars: Episode I in the hotel on Monday evening. I thought it was pretty weak when I saw it in the theater, but seeing it again made me cringe over how godawful it really was. The “Ewan MacGregor Jinx” was strong with that one.
Practice makes perfect, I guess – behold Roland Emmerich’s latest end-of-the-world apocacataclysmageddovaganza:
Vatican City? That’s innovative. Even Godzilla didn’t wreck Vatican City! And while everyone jokes about an earthquake sending California sliding off into the sea, has anyone actually showed it before? Nice.
I hadn’t realized from previous info that the film had “ships” of some sort in it – it isn’t clear whether these ships are spacecraft intended to flee the planet, or if they are (as hinted in glimpses) simply modern-day Noah’s Arks waiting out the catastrophe at sea. Either way, the premise one can glean from Emmerich’s trailer is vaguely similar to Martin Caidin’s 1987 SF novel Exit Earth, in which a looming planetary catastrophe triggers a similar response. Oddly enough, my copy from back in the day proclaims in bold type on the front cover, “Soon to be a Major Motion Picture!”. I’m glad in a way that “soon” wasn’t - the special effects in 1987 would have been pretty lame.
Some of the scenes are also reminiscent of the old classic, When Worlds Collide, specifically the panicked mobs rushing up the ramp onto one of the aforementioned ships - perhaps it’s Emmerich’s nod to George Pal. There was some talk a couple of years back about a remake of WWC, which makes me curious as to whether this instead was the project in question. Too bad, if so - having read the book WWC was based on, I was really looking forward to a faithful new adaptation…not least because the novel’s escape spacecraft were constructed in the wilds of Michigan’s Upper Peninsula. (While the movie is considered a classic, beyond some of the effects it’s honestly pretty awful, especially given the potential of the book and its sequel.)
UPDATE: Well, it turns out a remake of When Worlds Collide is in fact in the works. Spielberg is producing it, and at least judging by the writing credits at IMDB, the source material appears to be the book rather than the George Pal movie.
